Rachel Ann Burke is a Cambridge native. She received her early training under Larissa Luvisichuk in the Vaganova method then went on to study at Boston Ballet and Jose Mateo Ballet Theatre. She also spent summers at American Ballet Theatre, Joffrey Ballet, and Alonzo King’s Lines Ballet.
Following her early education she went on to receive her B.F.A from The Boston Conservatory under partial scholarship where she studied ballet pedagogy under Donna Silva.
Since then she has danced with various companies in the Boston area including Contrapose Dance, BalletRox and is currently dancing with Jose Mateo Ballet Theatre.
Patricia was born in Columbus, OH and raised in Concord, MA. She is a graduate of Josè Mateo Ballet Theatre’s Young Dancers Program, where she danced with their pre-professional performance group, YouthWorks. She has also trained with Boston Ballet, Atlanta Ballet, and the Nutmeg Conservatory.
Patricia joined Josè Mateo Ballet Theatre as an apprentice in 2010 and became a full company member in 2011. She is also a member of the teaching faculty at Jose Mateo Ballet Theatre and is pursuing a degree in psychology from the Harvard University Extension School.
Angie DeWolf was born and raised in Greenville, Pennsylvania. She credits her dance training to Sharon Filone at Lake Erie Ballet (Erie, PA), Barbara Banasikowski Smith at Greater Lansing Ballet and the Michigan State University Repertory Dance Company.
Angie is a graduate of Michigan State University where she received her Pre-Med degree and danced professionally with the Greater Lansing Ballet Company. In addition, Angie was involved in a cultural exchange with The Vaganova Ballet of St. Petersburg, Russia and is a proud faculty member at José Mateo Ballet Theatre’s school.
Originally from Stoneham, MA, Janelle developed her skills and expertise through studies at Harriet Hoctor Ballet School, Boston Ballet School, José Mateo Ballet Theatre, Broadway Theater Project, Concord Academy and Dance Theater of Harlem. She earned her BFA in Dance from the University of Hartford, CT.
She has danced professionally with the Hartford Ballet, New Jersey Ballet, BalletRox, Legends in Concert, Celebrity Cruises, Anna Myer, David Parker, and Island Moving Company. Janelle is a member of the Screen Actors Guild and has held small roles in several major movie productions, including 27 Dresses. She has also worked as company manager for BalletRox in the Boston Public Schools.
Janelle is currently on faculty at José Mateo Ballet Theatre in Cambridge and is excited to have recently joined the faculty of José Mateo Ballet Theatre’s Dorchester location as the School Principal.
In addition to her professional pursuits, Janelle is a local choreographer, and a supporter of the local dance community, working to elevate dance appreciation for the arts.
For more info go to www.janellegilchrist.com
Magdalena Gyftopoulos received her dance training at the Boston Ballet School with Anne-Marie Holmes, Pittsburgh Ballet Theatre, and José Mateo Ballet Theatre Young Dancer’s Program as a scholarship student.
Magdalena joined the company at José Mateo Ballet Theatre in 2006, and is a member of the teaching faculty.
In addition, Magdalena has worked with various other dance companies in the Boston area including Mariah Steele’s QuickSilver Dance, Tony Williams’ BalletRox, and Contrapose Dance where she has had the opportunity to work with choreographers David Parker, Sydney Skybetter, and Gianni Di Marco.
Bettina Indaco was raised in Holland and trained at The Royal Conservatoire in The Hague. She studied with teachers Linda Goss, Wim Vreeken, Sulamith Messerer, and Sonia Matcholli and was featured in a ballet documentary about the prestigious Conservatoire, Stap voor Stap.
After graduating and receiving her degree with high honors dancing the lead in Les Sylphides, she joined The Dutch National Ballet in Amsterdam and performed in Europe and Asia. She has performed in traditional ballets such as The Sleeping Beauty, Swan Lake, Giselle, Cinderella, A Midsummer Night’s Dream, and The Nutcracker in which her leading roles included Snow Queen and Dewdrop. She performed in contemporary ballets by Balanchine, such as Concerto Barroco, Serenade, Diamonds, Symphony in C, and The Four Temperaments. She has also performed in many ballets of Rudi van Danzig, Hans van Maanen, and Jiri Kylian.
In 1990, Bettina Indaco joined Ballet Theatre of Boston as a soloist and danced in Boston and throughout Massachusetts in ballets by Jose Mateo. Indaco has taught at Ballet Theatre of Boston since 1996.
In addition to teaching, Indaco holds master’s degrees in Dutch, English and Spanish.
Chelsey LeShea Kimsey has studied ballet/pointe, tap, jazz, modern, hip hop, theatre, and contemporary dance styles spanning 24 years. She began her training as both a dancer and future instructor, under the direction of Heidi Longwith at Mountain Laurel Studios in Cleveland, TN. She was also a member of the pre-professional companies of Mirabilia and Tennessee Youth Ballet. Chelsey also enjoyed performing with the Chattanooga Ballet.
Chelsey advanced professionally at Middle Tennessee State University within the Dance Department. She was a member of the MTSU Dance Theatre Company and participated in the company’s Dance Concerts each semester. Chelsey graduated from MTSU with a Bachelor of Science in Dance and Theatre, with a minor in Psychology in 2012.
Chelsey has worked as a dance instructor and choreographer, since beginning as an apprentice in 2001. Chelsey recently worked as a lead instructor with the Cleveland City Ballet for the past three years. In 2015, Chelsey moved to the Boston area to join our faculty. Chelsey has a Master’s degree in Clinical Mental Health Counseling with a specialization in Dance/Movement Therapy from Lesley University. She is a Registered Dance/Movement Therapist and works as a mental health clinician in Boston.
Trezure was born and raised in Brooklyn, New York City and came to Milton, MA in 2008. She spent her freshman year of high school right outside of Paris in the city of Gagny, France; where she trained in the French style at La Conservatoire du Gagny. Having participated in our previous summer intensives, Trezure was offered a scholarship to José Mateo Ballet Theatre’s Young Dancers Program in 2012 after her performance in our Nutcracker. She joined our teaching faculty as of 2015. She has received training from Boston Ballet and Dean College.
Outside of Ballet Theatre, Trezure is currently pursuing an Individual Major in Metaphysics & Ballet at the University of Massachusetts Boston, where she is a full time student. With a current GPA of 3.7, Trezure is also the President of Tau Sigma National Honor Society for students, where she currently serves over 280 members.
Jean Robens Georges (George) began his dance training as a scholarship student at the Academie de Danse Regine Mont-Rosier Trouillot in Haiti in 2002, where he studied ballet, jazz, contemporary and modern dance.
In 2005, he joined the Jean Rene Delsoin (Centre de Danse JRD) Company Dance Project in Haiti. In 2008, he studied Arte Dramatico and Dance Contemporary at the Escuela Nacional de Danza de Bellas Artes (ENDANZA) in the Dominican Republic. George studied at Études de Ballet & Co. in 2009, and he passed his Royal Academy of Dance Intermediate Exam with Distinction.
Hence, in the spring of 2009 he auditioned for the Jose Mateo Summer intensive and the Youth Development Program, where he was awarded a full scholarship to attend their summer program. After the summer program he become an apprentice with the JMBT company, and 13 months later he become a full company member and danced till the end of fall 2015 as a professional. While he was with the Jose Mateo company he became part of the faculty and trained other talented students in The Youth Development Program where once he had trained. He credits Miguel Companeira, Nathalie Dalzon, Miss Pixie Bervan, Yvan Mejia and Cosmin Marculeitia for his dance training.
George has worked with various dance schools and dance companies in Haiti, the Dominican Republic, Canada, and the United States. He danced principal roles in Beauty and the Beast, The Lion King, Tezen, Starmania, Bouki and Malice, Carmen, Anacaona, Sleeping Beauty, The Nutcracker (Spanish, Rat King and Snow Prince), Les Sylphides, Aminta in Sylvia. Alice in Wonderland (Jack and The Knaves of Hearts). He has danced professionally with Ballethenic Dance Company in East Point, Georgia; Ballet Roto in the Dominican Republic; the Tony Williams Dance Company’s Outside the Box, in Boston; and summer workshops at Alvin Ailey, Broadway Dance Center, and Peridance, including the style of Williams Forsythe, in New York City; and The Joffrey Ballet and Hubbard Street Dance in Chicago..
In the past three years George has moved from professional dancing to teaching. In 2015-16 he became a dance instructor and Director of the Modern Dance Program at Etudes de Ballet, Naples FL. There to critical acclaim, he staged, choreographed and directed an adaptation of Disney’s “The Lion King,” “The Fairy Nutcracker,” and an original modern ballet “Serenade.” In the summer of 2016, he collaborated with the Center Stage Dance Studio in Melrose MA on a Student Choreography project, helping talented students take their dance level up a notch by offering them the opportunity and tools to become choreographers and teachers. In 2016-17 he was the head dance instructor at the Fred Astaire Dance Studio in Naples FL, where he won first place in the competition for the Florida Regional.
Presently, George is teaching adults at JMBT, and at BalletRox in Roxbury MA, he is teaching different dance styles from Afro-Jazz to Modern at Spontaneous Celebrations, a program focusing on integrating dance in the Boston Public Schools, and collaborating with the Boston Symphony Orchestra on different events at various venues in Jamaica Plain MA.
Julia was introduced to dance at the age of three with the Medina Academy of Classical Ballet. There she completed Grades III-V with distinction. Later becoming the teaching assistant to the Creative Movement and Pre-Ballet classes at the age of thirteen. She was selected to join the Ohio Youth Ballet Company. She went on to Cincinnati and attended The School of Creative and Performing Arts. She was among the student dancers selected to represent the school while performing in Japan.
After high school, Julia chose to attend the College Conservatory of Music at the University of Cincinnati. She completed her BFA as a Dance Major with emphasis in ballet, while simultaneously completing all prerequisites for a Masters Degree in Physical Therapy.
Julia is a certified instructor of the Burdenko Method at the The Burdenko Water and Sports Therapy Institute. She has also has trained under the Royal Academy of Dance, Vaganova, Balanchine, Cecchetti, and Paul Taylor techniques.
Julia has taught and danced professionally with the Cincinnati Ballet, Albany Berkshire Ballet, Ballet Quad Cities, Burklyn Ballet Theatre, South Shore Conservatory and the Jose Mateo Ballet Theatre. She feels that providing dancers a well rounded curriculum, blended with the joy of dance are keys to success.
She received a BFA in Dance Performance from The Hartt School, University of Hartford under direction of Stephen Pier in 2014. There she performed Martha Graham’s “Dark Meadow Suite: They Who Dance Together” at The Joyce Soho in New York as an original cast member of Peggy Lyman-Hayes’ 2011 revision and as the lead dancer “Eliza” in “The King and I” at The Muny, St. Louis, in 2012.
Some of her most memorable roles include the lead in “Paquita”, Balanchine’s “Who Cares”, “Four Temperaments”, and numerous contemporary works by choreographers such as Helen Pickett, Emory Lecrone, Viktor Plotnikov and Charlotte Griffin.
Ms Tamura is a Dizzy Feet Foundation Scholarship Recipient (2011-2012).
Haruka joined José Mateo Ballet Theatre in 2014.
Joan began her classical ballet training at the Boston School of Ballet at the age of 7, then continued her ballet education with the Dance Theatre of Harlem upon graduating from high school and performed with the DTH Workshop Ensemble. She danced professionally with José Mateo Ballet Theatre (1989-1992). During Joan’s time as a JMBT company member, she was also a faculty member and taught in the Young Dancers Program and in the summers of 2006 and 2007, Joan was a guest faculty member and taught in the Summer Intensive Program and Elementary Program while visiting and vacationing in Boston while living in Florida.
With Joan’s residential move to Florida along with raising her son and daughter, she took a 13 year break from dancing professionally. In 2005, Joan discovered and auditioned for LaVerne Reed Productions’ The Chocolate Nutcracker, a multicultural take on the traditional one where she danced ballet, jazz, modern and hip hop. In addition to performing seasonally with this company (2005-2011), Joan was the director’s assistant, ballet choreographer and rehearsal director having to know and teach set choreography from show’s beginning to show’s end. Joan’s highlight of her career was opening up for an Orlando Magic basketball game in 2009 where she danced hip hop, performing from a Chocolate Nutcracker scene called “Land of Funk”.
Joan feels blessed that her childhood passion has been her career. Even after retirement from dancing professionally, she continued to pursue her lifelong passion of ballet by teaching and inspiring other young dancers. She offers over ten years teaching experience with young children of all ages in the beginning through intermediate levels a sound foundation for the techniques of classical ballet training. In addition to teaching ballet, Joan has also taught tap, jazz, hip hop and Latin cardio dance classes.
Last year, Joan relocated back to Boston and was part of the founding of the Young Dancers Program in Dorchester. She currently teaches Saturday’s Creative Dance I & 2 classes in the Dorchester studio and administratively, she works at both studio locations.
Mary Thompson’s early training was at the Boston Ballet School under the direction of the founder, E.Virginia Williams where she progressed to the level of Apprentice.
Upon the receipt of a Ford Foundation Scholarship she continued her studies at the School of American Ballet in New York City where she trained with Stanley Williams, Suki Schorer, and Alexandra Danilova among others. While at SAB, Ms. Thompson danced soloist roles in the Annual Workshop performances and was invited to audition for, and subsequently joined, Makarova and Company under the direction of Natalia Makarova.
Ms. Thompson received additional training from Marie Paquet and Fhinis Jhung, before joining the Berkshire Ballet as a soloist where she progressed to Principal status and danced lead roles in Coppelia, Cinderella, The Nutcracker, Antony Tudor’s Little Improvisations and several works by Francis Patrelle. After three years at the Berkshire Ballet,
Ms. Thompson joined Ballet Michigan where she danced lead roles in Loyce Houlton’s Beauty and the Beast, and Le Corsaire Pas de Deux, as well as other original works by Jill Bahr and Kevin Milam.
In 1988, Ms. Thompson returned to the Boston area and began working full time for JMBT as both a dancer with the Company and a teacher in the school. Over the next several years, Ms. Thompson took on a more prominent teaching role in the organization not only as a faculty member in both the Adult and Young Dancers Programs, but also as a rehearsal assistant with the Company. Ms. Thompson has served as Principal of the Young Dancers Program, Director of the Summer Intensive Program, Youthworks director and Ballet Mistress for the Company.
In addition to her work with JMBT, Ms. Thompson has taught at several area studios as well as serving as a guest teacher for Companies and schools in the New England area.
Kendra Thyne is a dance teacher and Pilates instructor based in Concord, Massachusetts.
Native to Northern California, Kendra was a company member with Oakland Ballet for many years where she performed their vast repertoire of works, from Antony Tudor’s Lilac Garden to Eugene Loring’s Billy the Kid. She especially treasured dancing the role of Desdemona in Jose Limon’s The Moor’s Pavane.
Kendra has also danced professionally with Winifred R. Harris’s Between Lines in Los Angeles and Margaret Wingrove Dance Company in San Jose, California. She was choreographer and liveaction reference for the Steadfast Tin Soldier segment in Walt Disney’s Fantasia 2000.
Kendra holds a BFA degree in Ballet from The University of the Arts in Philadelphia. While studying for her degree, she danced one of her favorite roles, The Waltz Girl from George Balachine’s Serenade.
Kendra has worked as a dance instructor for all ages. She has taught Creative Dance for children as young as 18 months, choreographed Broadway shows for performers at gradeschool level, and taught adult students who are new or returning to Ballet.
Recently relocated from New Jersey, Kendra is thrilled to be in New England and teaching at JMBT. She owns Kendra Thyne Pilates in Concord, where she lives with her husband and four beautiful children.
Kendra is currently on a leave of absence.
Molly Wheat trained in the Young Dancer’s Program of Jose Mateo Ballet Theatre and became an apprentice with the company in 1992. A year later, she joined Jose Mateo Ballet Theatre as a full company member and danced in the company for over a decade, performing soloist roles in “The Nutcracker”, “Cinderella” and “Alice in Wonderland” as well as in many of Mr. Mateo’s original, neo-classical ballets including “The Last Circus”, “House of Ballet”, “Isle of the Dead” and “Dark Profiles”.
In 1999, she joined the faculty of Jose Mateo Ballet Theatre and has taught in both the Young Dancer’s Program and the adult open class program for over 16 years. In 2011 Molly founded ‘Ballet with Molly’, programming which includes an amateur adult performing group as well as dance camps for youth during their vacations from school, Weekend Performance Workshops and drop in ballet classes. She has taught at numerous dance schools in the Boston area including, Jose Mateo Ballet Theatre, The Dance Inn, The Boston Conservatory, LaPierre School of Dance and Jeannette Neill Dance Studio.
Molly is pleased to bring together her training under Jose Mateo and her study of ballet as both an athletic pursuit and an art form, with the goal of making ballet accessible to people from varying backgrounds and levels of experience. She specializes in boiling ballet down to the basic ingredients. Using both the traditional French terminology and the English translations, Molly teaches a safe and understandable approach to ballet with choreographic combinations that let everyone enjoy the artistic and physical benefits of ballet!